BIBLIOGRAPHY
Film

Archival film of asylums appears to be rare, but Cane Hill bucks the trend and has been the subject of several films. These range from news-reel exposés and documentary footage through to amateur video taken by employees and the illicit digital movies shot by urban explorers.

The Administration Block as it appears in a 1950s film



Pathe News

The lunacy laws were causing concern in the 1950s with joint campaigning by Labour and Conservative MPs for their review. The story was picked up by news reel specialists British Pathe, especially when two MPs successfully released a patient from an institution: which turned out to be Cane Hill.

Pathe Screen Grab #1

Although brief, the Pathe film featured a wide shot of the brooding Administration Block before a jubilant Mrs. Harriet Thornton was led out through the main gates and to freedom. MPs Doctor Johnston and Norman Dodds then interviewed Mrs. Thornton and determined that the confused lady still has no idea why she was certified and admitted to the asylum over four years previously.

The film can be viewed here.

Pathe Screen Grab #2



Inside Out: Midlands (BBC1)

The imminent closure of Kingsway Hospital in Derby prompted Inside Out (Midlands) to put together a history of the institution which was first shown in April 2008. A local historian related the history of the institution and outlined the future of the buildings. Unfortunately despite being the star of the show, Kingsway was poorly represented, and contemporary interiors were filmed at St. Johns in Bracebridge Heath with archival footage from Cane Hill.

The Cane Hill film was black and white and appeared to date from the 1950s. However, more of the archive appeared in Mental: A History Of The Madhouse two years later. Therefore the film is detailed there.



Mental: A History Of The Madhouse (BBC4)

First broadcast on the 17th May 2010, Mental: The History Of The Madhouse featured patients, doctors, psychologists and historians talking about the history of the asylum from the 1950s onwards. An extremely powerful programme, it combined people’s experiences of the asylums and the treatments undertaken with contemporary, dramatised and archive footage.

The programme focussed on High Royds with additional recollections of a patient from Hellingly. However, several other asylums were featured in the archive footage, and scenes from Cane Hill were often shown. This came from the same source as used by the BBC’s Inside Out programme and appears to show exteriors and interiors of Cane Hill shot in the 1950s.

History Of The Madhouse Screen Grab #1
Fig. #1

Male patients exercise in an airing court. It's difficult to determine the exact location but it's either the southern flank of Male Ward F or Male Ward H




History Of The Madhouse Screen Grab #2
Fig. #2

Further shots of male patients exercising. The cameraman is on the first floor of Male Ward H shooting from a bay window roughly south east across No. 4 Garden and just capturing the end of Male Ward F.




History Of The Madhouse Screen Grab #3
Fig. #3

The footage moves onto these cramped beds in a dormitory. It could be Cane Hill due to the cast iron pillars but it's difficult to be certain.




History Of The Madhouse Screen Grab #4
Fig. #4

The camera pans through 180 degrees but keeps low. The base of several doors are captured in this shot, but it still difficult to figure out where this is.




History Of The Madhouse Screen Grab #5
Fig. #5

A final wide view of the dormitory is too low to determine absolutely the ward's location.




History Of The Madhouse Screen Grab #6
Fig. #6

The view switches to the Administration Block of Cane Hill. Therefore the dormitory footage is bookended by Cane Hill shots, so could be from the hospital.




History Of The Madhouse Screen Grab #7
Fig. #7

One of the infamous metal enclosed walkways of Cane Hill. The sanitation tower (identified by the pipes) reveals this to be the elevated connection between Male Ward E and Male Ward F.




History Of The Madhouse Screen Grab #8
Fig. #8

The camera pans left to settle on the sanitation tower of Male Ward E.




History Of The Madhouse Screen Grab #9
Fig. #9

This shot shows the first and second floors of the end of Male Ward F and the top of a stepped airing court wall. These walls were demolished in the 1950s.




History Of The Madhouse Screen Grab #10
Fig. #10

A low shot of the exterior plumbing of a sanitation tower. The exact position of the cameraman isn't known but it could be the sanitation tower of Male Ward F or Male Ward H.




History Of The Madhouse Screen Grab #11
Fig. #11

A male patient chats with an attendent in an airing court. The exact position of the cameraman isn't known.




History Of The Madhouse Screen Grab #12
Fig. #12

More footage is included in a later part of the programme. From its filming style and quality, it would also appear to be from the Cane Hill archive. The location of this male day room isn't known.




History Of The Madhouse Screen Grab #13
Fig. #13

The view switches to male patients sitting down for a meal in the gallery outside a row of single rooms. It appears to be too wide for Male Ward D, but could be from Male Ward F or Male Ward H.




History Of The Madhouse Screen Grab #14
Fig. #14

This is definitely Cane Hill and shows the horseshoe-shaped main corridor. The camera is positioned at the entrance to Male Ward F and captures the corridor between Male Ward E and Male Ward D.




History Of The Madhouse Screen Grab #15
Fig. #15

Female patients exercise in the Main Hall. Unfortunately the camera remains low (so faces can't be seen) and it's difficult to determine whether this is Cane Hill. And the shots I have of the Main Hall show the other direction, and not the stage, so I can't confirm its provenance by the characteristic air vents at either side of the stage.




History Of The Madhouse Screen Grab #16
Fig. #16

This view has always been difficult to pinpoint. I used to believe that it was the view from the airing court gate towards Female Ward H (see the diagram below), but the angles of the ward don't match the film. Plus why would the cameraman suddenly move to the female side of the hospital and why would a male attendent be closing the gate? I now believe this is on the male side of the hospital, possibly of Ward F or H. However, this shot remains unidentified until an accurate plan of all the airing court walls, gates and shelters is found.



The Ernie Townsend Film 1992

A unknown amateur cameraman shouldered his bulky 1990s vintage video camera and bravely sat on the bonnet of a car as it slowly drove up the main drive from the northern lodge. When the cameraman reached the Administration Block he was greeted by Ernie Townsend, the fire officer of the hospital. He then invited the cameraman into the sprawling complex and gave a guided tour of many of the building’s key areas.

Shot four days before the hospital closed and the keys were handed over to the security company, this film is now in the archive of a documentary maker. I’ve yet to see it, nor has any part of it been publically published. It is a key piece of footage that fills the gap between the clean and austere hospital of the 1950s to the derelict ruin known to urban explorers.



Hipposcope Film 2007

English Partnerships required a film of the dilapidated and dangerous interiors as a moving exhibit at their Cane Hill Exhibition of 2007. The intention was to shore up public belief in Cane Hill as a dangerous, ugly and rotten Victorian institution; thus motivating the public into accepting its wholesale demolition. (Although all of the four options offered for public opinion included the demolition of the majority of the buildings).

Keith Boucher of Hipposcope Films had been attempting to gain permission to film the exteriors and interiors of the asylum for years. His seminal production company had been founded with the intention of making Cane Hill its first documentary showpiece. Despite collecting a huge amount of archival information and interviewing many patients and staff, he’d met with bureaucratic dithering and stonewalling when it came to actually filming the buildings. Now there was an opportunity for both parties to gain by a professional cameraman being given access to the former hospital.

The resulting ten minute edit which was shown at the exhibition was equally a success and failure for both parties. Keith was limited in what he could shoot by endless nannying and handholding by English Partnerships; his plans of filming an exhaustive record of the buildings were scuppered. English Partnerships got their film of the rotten, dirty, destroyed interiors; along with exteriors scenes of mature, attractive Victorian buildings set in magnificent grounds on a glorious summer’s day. One wonders how many people at the exhibition suggested conversion as a possible fifth option.

Hipposcope Screen Grab #1

Hipposcope Screen Grab #2

Hipposcope Screen Grab #3

Hipposcope Screen Grab #4

Simon Cornwell
14th November 2010



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